“Building Bridges Between Choirs, Generations and Cultures” is the King Edward Choir’s theme as it moves closer to it’s 60th anniversary. The choir’s Candlelight Christmas Concert at Collier Street United Church presented an excellent opportunity to build on that theme which started in November with the collective voices of King Edward, Lyrica and Bravado, accompanied by the Huronia Symphony, in Barrie’s Choral Fest.
Presented on Saturday December 4, the concert incorporated the ‘Generations’ by including the Shanty Bay Singers—a children’s choir from Shanty Bay Elementary School under the direction of Ms. Jan Cumming.
The KEC for many years has been bridging cultures through the diverse international flavour in the music it presents. This concert was no exception, featuring folk carols from the United States, Eastern Europe and Britain. Artistic Director Barb McCann also has a knack for connecting with the choir’s patrons which was obvious when one hears the audience of 500 plus voices assisting the musicians, young and old, in the sing-along selections.
The Shanty Bay Singers also provided international flavour performing Ms. Cumming’s own composition “Sweet Little Village”, a Russian folk carol and a Hanukkah folk song and by ably singing a verse of O Tannenbaum in German.
A special connection between choir and accompaniment was obvious in the delightful and accomplished presence of Nena LaMarre as Accompanist to the KEC. The addition of Blair Bailey at the organ, the choir’s Carol Hardy playing flute, Julie Umbrico with her harp and Ray Reilly’s percussion complemented both choirs admirably.
Undoubtedly, the evening’s highlight was the performance of selections from John Rutter’s Magnificat. Premiered in 1990 in New York, it is quickly becoming a Christmas season choral favourite due its festive spirit. Solos by choir members Angela Lafontaine, Susan Cowan and Dianne Jones added sparkle.
The performance of the evocative “Silent Night” completed the bridge. Providing a soft background for Ms. Jones in the opening verse, the choir was joined by the children in the second verse. At the same time, the audience very quietly lent its collective voice with it all coming together in a stirring crescendo and a fitting finale.
Thus the stage has been set for Sunday March 6, 2011 when the choir will unite with the Nathaniel Dett Chorale under the direction of Brainerd Blyden-Taylor. This promises to be a memorable concert of music reflecting the Chorale’s African heritage. Mark your calendars.